Tuesday, May 22, 2018

Surfer Mickey

Surfer Mickey

It has been many years since I first moved to Florida. Since then I have moved away and come back about a half-dozen times. Wherever I go, when people hear I am from Florida, they ask about Disney. It seems that Mickey Mouse is the unofficial mascot for our state. It's no wonder then that I get asked all the time why I haven't drawn Mickey. The number one glaring reason it that Mickey IS such an iconic character that to begin, you are putting a target on yourself for copyright action. I'll be honest here; I do get approached from time to time by copyright lawyers regarding some of the art I create. So far it has never amounted to more than requests not to use certain keywords, search terms, or to not offer the image on print-on-demand royalty sites. I always comply.

The second reason is that the simpler the design, the greater room for error. Nailing a character like Mickey is tough. Every line and shape has to be exactly where it needs to be, or you should just do a figurative interpretation to avoid scrutiny. I decided to go for a version of Mickey that has the look and feel of his origins. The early black and white Mickey cartoons took the mouse through a few developmental changes, particularly in the length of his nose. Since Mickey spends all of his time in Florida and California, I just thought it was appropriate for him to take a little time to catch some waves when he can.

I used Strathmore mixed media paper here and started out with a pencil sketch that was changed many times. After landing something I liked, I used Pigma Micron pens to take car of the outline and a Pigma Micron marker to fill in the large black areas. The final step was to paint the watercolor with Winsor and Newton paints.

Please email me at bryancollinsart@gmail.com for original or print purchase inquiries.

Tuesday, April 24, 2018

National Tattoo Convention in Orlando Florida

National Tattoo Convention

This weekend I will have the pleasure of showing art with people who are covered in it. The National Tattoo Association is having it's 39th annual convention in Orlando, FL. If you're in the area and want to have a great time seeing people get tattooed or even get a tattoo yourself, come check it out. I will be in the vendor area on Saturday and Sunday only. See you there!


Thursday, March 8, 2018

Collective Con 2018

Jacksonville is getting ready for its premier comic book, video game, anime, pop culture convention with Collective Con 2018. I've had the pleasure of being part of this show since the very beginning and it's been amazing watching this show grow. Like every large and complicated event, Collective Con has gone over a few speed bumps but this resilient group of organizers, promoters, and volunteers have shown the ability to adapt and overcome. 2018 looks like it will be the biggest year yet with record pre-show ticket sales causing a late venue change from the Morocco Shrine (2017 location) back to the Jacksonville Fairgrounds indoor exhibition hall (2015-2016 location) just a couple of weeks before the show.

Collective Con 2017

Collective Con 2016

Collective Con 2016

Collective Con 2015

Collective Con 2015

The guest list for this year includes names like Brandon Routh, Johnny Yong Bosch, Kyle Hebert, Esme Bianco, Clifton Collins Jr, Chester Rushing, Cherami Leigh, and many more. Oh, and I'll be there too. You can find me all three days at booth 45 in the exhibit room just one row over from the media guests. I'm bringing a LOT of new originals, prints, and apparel that I didn't have last year so find me early before anything is sold out. See you there!

March 23-25, 2018

Jacksonville Fairgrounds Expo Center
510 Fairground Place
Jacksonville, FL 32202

Tuesday, February 27, 2018

Monster with Cat Drawing in Prismacolor Pencils

Cat Monster

Every once in a while, someone contacts me with an idea that possesses an appropriate level of weirdness. If you are in a line of work which requires you to create based on a client's requests, then you know that many ideas are...let's say "different", than what you would create on your own. This is the main reason that I put down my tattoo machines a few years ago and made the complete transition to drawing and painting. Let's face it: there are a lot of bad ideas out there. I'm not saying that all of mine are great. In fact, I beat my ideas up all the time. Just ask my wife. Many of them either end up in the trash or in a folder that I go back to when I need a fresh perspective, but you learn to take the bad with the good.

Now before I go any further, if you have ever pitched a commission to me and I accepted it, then I am not talking about you. If I did the commission, then I liked the idea. Furthermore, if I did not do the commission it doesn't mean I didn't like your idea. Most if the time I say "no" it's because I really just don't have the time or I'm in a funk and know that you wouldn't get my best work.

This Cat and Monster piece was pitched to me by a collector who already had a couple of originals from me. She was familiar with my style and her sister is a fan of my monsters. I was asked to create a monster based on another one I had done in the past, and she asked if there was any way I could add a cat. This was all the direction she gave so I was free to play around with it. The image above is what I came up with for her. It's a 9"x12" piece made with Prismacolor pencils on illustration board.

If you feel so inclined, follow along on Instagram for in-progress pics and giveaways.

Tuesday, February 13, 2018

How to Draw Umbreon Pokemon with Prismacolor Pencils

As I have been really, really searching my soul lately and asking God to iron out the many kinks and wrinkles in my life, I've been tested with a few challenges. This is not uncommon when asking for character improvement. Creating this video was one of these challenges. Some of my YouTube subscribers have been asking if I could shoot from an overhead position which I was not equipped to do. I fooled around with a few different setups, all of which involved putting my camera (and sometimes my head) in unsafe situations. I finally rigged something up involving a plastic multi-drawer shelf, a tripod, and a five pound workout weight. Once I was moderately certain it wouldn't all come crashing down, I shot about 7 hours of video during the coloring process of this Umbreon drawing.

Now so far, none of this was an out-of-the-ordinary struggle. My patience was tested when I moved on to the editing stage. I have been using Corel VideoStudio Pro X4 for a few years now and learned it pretty well. Unfortunately I had a fatal crash with my last computer just before Thanksgiving and had to replace it. The new computer operates on Windows 10 and being very limited in my understanding and abilities when it comes to computers (I've just never really cared much for tech) I couldn't transfer the editing software to the new computer. I contacted Corel who told me not only was Pro X4 obsolete, but even if they did have a link to download it, the software wouldn't work on Windows 10. Instead, they said I should purchase VideoStudio Pro 2018 for $79.99. I don't generate any income from my YouTube channel so that was not really an option. As a full time artist, I have to allocate funds where I can make them back. A quick Google search for "best free video editing software" sent me to TechRadar.com where I read about LightWorks. I downloaded the free version and got to work stumbling my way through trial and lots of error, as well as searching YouTube for tutorials on this alien program.

After a 5-6 hours day of learning the software enough to get this video edited, I exported the first draft only to have my still images and audio playable. It took another hour to figure out how to get the video to export with the other tracks. While watching the second exported draft I had audio issues. Somehow a minute of white noise had been added between the three different songs I had in the same audio track. My blood pressure was getting too high for the day so I called it quits and tried again in the morning. After some tedious manual clipping of each song to get the audio tracks to play seamlessly, I finally got a third draft that was ready to publish, but then found out that I can only export in 720p with the free version of LightWorks. If I want to export in high quality HD I need to pay $24.99 per month, $179.99 per year, or $437.99 outright. This after thinking $79.99 was out of budget! 

Character does not improve without testing the spirit. Smooth seas don't make skilled sailors. I don't regret this experience. I finished the video, not because I wanted to, but because over 9,200 of you have subscribed to my YouTube channel and have been asking for more content. I truly am doing this for you. If you are one of the people who have been enjoying my video posts over the years, thank you! I would love to purchase the $79.99 version of Corel VideoStudio 2018 (the software I've been using the longest) so that I can give you the highest quality content with the most creative editing in the shortest amount of time. If you want this, please consider chipping in by clicking the PayPal Donate button below. You don't even need a PayPal account. Whatever you want to give is appreciated. All donations will go toward the purchase of Corel VideoStudio 2018. Any funds received over $79.99 will be held for future upgrade downloads or used for art studio materials.

Thank you again for your support.

Thursday, February 8, 2018

Dia de los Muertos Art in Prismacolors

Dia de los Muertos

It's funny how saying a thing can actually cause the exact opposite to happen. "I promise, I won't get hurt" is usually the last thing you say before falling flat on your face. "I'm going to sleep in tomorrow" will sometimes cause your internal alarm clock to go off earlier than normal. At the end of 2016 I told my patient and supportive wife that I wouldn't be taking any commissions in 2017 so that I could get some home improvement projects knocked out. Instead, I completed more commissions in 2017 than in any other year, ever. This was not a deliberate reversal of my endeavor, it just falls in line with saying one thing only to see the inverse take place.

Photo from my Instagram feed

After the thirty black and white commissions I started in July 2017 there were a couple of commissions that came in from long-time collectors that needed to be completed before Christmas. This Dia de los Muertos piece was one of them. I was really excited when the collector pitched the theme, but the deadline was short. I was already working on another commission and had a couple of pieces I wanted to finish before Jekyll Comic Con and Holiday Matsuri. So, I ended up taking my materials to Holiday Matsuri to work on this Day of the Dead illustration, which is something I never do.

I don't usually like drawing or painting at shows because I want to focus on you. I want to meet new people, share my art, see other artists' work, catch up with collectors I've met over the years, and enjoy the rewards of the day to day process of making the art in a lonely studio. This time, however, was a great experience because it taught me two things:

1) If you want to do more, you have to do more. I know it sounds silly, but some of the best lessons are the simplest ones. You see, I am always wondering what the next step should be in my career as an artist. You can plan and email and discuss and Tweet but until you push the limit and create more and better work, you're running in place. So, I got up early each day before the convention and worked on this piece in my hotel, then after the exhibitor hall closed, I left the party behind and went back to my room to work on it again.

2) Having a mission builds clarity. This may not be directly connected to working on a commission while at a convention, but this is something I though about while coloring on it. Working from home can be a windswept rodeo of wrangling one task after another, only to feel exhausted at the end of the day without having much to show for it. Knowing I had a deadline gave me drive, drive gave me focus, and focus gave me clarity; The clarity to see that creativity without purpose is like sitting behind a drum set and just whacking away randomly. It feels good but those in ear shot may not appreciate it as much as you do. Start playing a good groove and people will start dancing.

Photo from my Instagram feed

At the end of it all the Christmas commissions were all delivered on time, I accomplished more than I ever thought I could in a short period of time, and I learned once again that autopilot is never an option. You have to take charge, adapt, and really truly push forward to make any gains.

Hopefully this inspires you to push in your own endeavors. What drives you? What slows you down? What are you doing to keep on doing?

Prints and originals at www.useeverycolor.com or www.bryancollins.etsy.com

Tuesday, February 6, 2018

Mulan Drawing, July Challenge 28


When it comes to art and design, I've always been inspired by Asian culture. I love the thought that goes into balancing nature and progress. On this July 2017 Challenge piece I was given two options by the person commissioning the piece. She said she wanted Belle or Mulan and I was leaning toward Mulan right away. Since this was a black and white challenge, I also felt that I would need color to properly represent Belle, so I locked down my decision and created this piece in 5"x7" size on Strathmore Mixed Media Paper with Pigma Micron Pens and Windsor and Newton Watercolor. Email bryancollinsart@gmail.com for prints.

Thank you for your continued support.